Completely Finished
The final aspects of research and editing are done now, as of today, and I am now officially ‘abandoning’ the work. I tell you honestly that I could sit down and do another edit from beginning to end and the book would marginally change as I did. An occasional paragraph would be shortened, a bit of description added here or there, a change in the language ... I’m never entirely happy with my work and I could hack at it endlessly.
Repeated editing ends with the character’s voices getting changed, bit by bit, with ‘grammatical’ alterations – particularly the narrator’s, and I don’t want that. So I have to leave it be. No doubt there is the occasional spelling error, a word doubled somewhere in the text or such ... just the nature of the beast. Given that virtually every such example of this has been found and fixed, unless there’s a glaring error in the first page, I’m not overly worried about it.
Getting upset by that sort of thing can delay and delay the distribution of a book – so at this point, even if someone found a typo on page 3, I would ignore it. The work is abandoned. Time to move on.
I have received kind and useful advice from a variety of sources, and I am ready to move forward into the next stage. This will involve producing a number of full manuscripts which will be sent to bonded, reputable agents, all of which reside on the East Coast. This is a long shot – it is very difficult to get the interest of an agent in a new novel; I can only hope that my previous track record as a published author and the quality of the work will gain some interest. I don’t, however, have much hope.
Nevertheless – and this is an important point. An agent is the big time. Every other course, other than an agent, means effectively that the work will never make me the income which will enable me to work exclusively as a writer, full-time. Finding an agent gets me onto the list of significant publishers, those who will not accept work from unsolicited authors, and it is only those publishers who can produce the kind of stock enabling me to imaginatively get on a best seller’s list. Therefore, whatever the cost of three or four dozen manuscripts, it does not make sense to ignore this step only because it is unlikely. Whereas I know that many authors get trapped by false agents who fail to do anything, I do know how to avoid these pitfalls; there are in the world, writer’s unions. Reputable writer’s unions – those which have been around for five or ten decades – usually list agents which have long standing legal reputations. It is foolhardy to speak with any other kind of writer’s agent. Generally, one does not need to be part of a union to contact an agent. It is assumed that once contracted, you’ll be happy to join the union. And you know what? I will.
Moreover, if it does happen that I must then move from the agent to the publisher on my own, and the book gets some limited notice, it may happen that a previously contacted agent will put two-and-two together. This is also extremely unlikely. That doesn’t worry me much. I understand that people buy lottery tickets. My odds are considerably better than theirs.
So here I am. Book finished, agents about to be contacted.
I might actually get time to write about other things.
Labels: Writing
